"When I see this, I'm thinking hallelujah. It's the first real indicator that the VA is willing to step up and get that chapel restored, which frankly I think is their responsibility."
When you design your home with intentionality, you are essentially 'hard-coding' healthy behaviors into your daily rhythm. Health outcomes are the result of thousands of micro-decisions—so in his own home, he prioritized spaces like the kitchen, whose open layout makes cooking a pleasure, and the gym, centrally located.
The walk, and the houses surrounding it reflect a period when Berkeley's hills were becoming a laboratory for new architectural ideas rooted in craftsmanship, landscape and a belief that the built environment could shape daily life for the better.
Designed by noted residential architect Roland E. Coate, the home was built in 1926 for Annie Wilson, daughter of pioneering Southern California businessman and politician Benjamin Wilson, for whom Mt. Wilson is named. The gently sloping 1-acre-plus property was once part of the vast holdings of George S. Patton, father of the famed U.S. general.
Gropius, who from 1919 to 1928 directed the Bauhaus in Weimar and Dessau, designed the house in 1921-22 for lawyer Fritz Otte. The property is considered a dramatic evolution of Gropius's earlier seminal Haus Sommerfeld, which was also located in Berlin, but destroyed in World War II. The Bauhaus founder embraced a forward-looking approach with an unadorned, sharp-edged structure that rejected the heaviness of 19th-century historicism.
Sentimental Value is very much a film about a house - a Victorian " dragestil," or "dragon style," home in Oslo where generations of the same family have lived for more than a 100 years. Director Joachim Trier, who found the house in Oslo's Frogner neighborhood, called its role in the film "a witness of the unspoken ... a witness of the 20th century."
There's a three-story turret, a front porch the size of some one-bedrooms, and a private driveway (with a porte cochere, no less). Wave-shaped dormer windows overlook the Spanish-tile roof. Inside, there's parquet for miles, wood paneling, stained glass, beamed ceilings, and a classical frieze of men in togas. Out back, there's a pergola and a small pond. "They don't build them like that anymore," says broker Joe Brikman,
One of those timeless items is the instantly recognizable federal-style convex mirror. These gilded mirrors have been adorning American dining rooms and foyers since the 1700s, when the centuries-old European style was given a uniquely American touch - an eagle sitting proudly on top. Looking to add a touch of American history to your home? Authentic federal-style mirrors dating back to the United States' earliest days are going to run you into the many-thousands of dollars, there are also reproductions that have been made for decades. Here's what you need to know about federal-style mirrors, how to source them, and how to style them in your own home (even if they're the only Americana piece you ever collect!).
Furniture made from mycelium or algae can decompose in five years, sure, but a well-made antique armoire outlives empires because no one throws it away. Columns takes that logic seriously. Handcrafted in solid oak, natural leather, and horsehair, the pieces are built to last a thousand years, which sounds like marketing hyperbole until you look at the joinery, the hand stitching, and the material choices. This is furniture designed to be inherited, repaired, and remembered.
Having explored adaptability at the city scale, we are now zooming in on the building itself-and, crucially, on practice. How can architects, developers, and consultants embed adaptability as a measurable, mainstream outcome? This question will be on the agenda at the Adaptable Building Conference (ABC) on January 22 at the Nieuwe Instituut in Rotterdam, where architects, engineers, policymakers, and industry leaders will explore the potential of adaptable buildings-and how to deliver them at scale.
How did a material conceived for bridges, factories, and large-scale structures make its way to the living room bench, the apartment bookshelf, the café table? For centuries, metal was associated with labor, machinery, and monumentality-from the exposed structures of 19th-century World's Fairs to the productive logic of modern industry. Its presence in domestic interiors is not self-evident but rather a cultural achievement: the transformation of an industrial material into an element of everyday, intimate use, in close proximity to the body.
Not every home is willing to play a supporting role. Jess Cooney's has always demanded top billing. "It's been a main character in my life-we've had a beautiful journey," says the AD PRO Directory member of her 6,000-square-foot house in Great Barrington, Massachusetts. "And it also drives me insane." More than two decades ago, Cooney returned home from Colorado to the Berkshires with her husband, Joe, and a new daughter in tow.
