"860 was the address of the home we lost in the Palisades fires. We lived there for 46 years. I invite you to come inside 860 and I'll tell you all the funny and touching things that happened there, not only in my career but to our family."
The public reaction was just fantastic. Every night at the Royal Opera House, thousands of people gather for ballet and opera. For the music. For the storytelling. For the sheer magic of live performance.
In that small 30-block zone last year, there were 486 reported crashes, injuring 76 cyclists, 108 pedestrians (one fatally) and 67 motorists, according to city stats. That's more than a crash every day, injuring more than 250 people.
The curtain rises on a new chapter at the Todd Haimes Theatre as this transformative renovation supports greater accessibility to the arts for all, Hochul said.
So another word about tickets. They did finally announce single-game tickets were going on sale, but only for games though June. It's not enough to keep season plans limited to those requiring fans to buy more tickets than they can use, feeding the secondary markets which the Mets also get a cut of, but "make-your-own-plan" fans like me who've reliably occupied seats for decades,
These staff reductions, combined with some temporary salary reductions and other cost-cutting measures, will reduce the Met's expenses by $15m for the remaining six months of the Met's fiscal year, and by another $25m in the Met's following fiscal year.
Broadway Bound Kids, the nonprofit that provides performing arts education to New York City students K-12, will be hosting their fourth annual benefit concert, Empower State of Mind, on Feb. 2 at City Winery in Manhattan at 7:30 pm. The evening will include show-stopping performances by theater legends who have starred on the Broadway stage. The participating performers include Kate Baldwin (Chicago), Kelsee Kimmel (Hell's Kitchen), Storm Lever (Six), Olivia Donalson (Six), Daniel Quadrino (Wicked) and Jacob Keith Watson (Ragtime), among others.
We decided this could be an opportunity to design something specifically for those theatergoers, and maybe many others who may have been reluctant to attend on their own. This is not 'singles night.' If a meaningful connection happens, that's a bonus. But at the end of the day, it's really about being comfortable going solo to a show and enjoying it with people who have that same experience.
Showcase Cinema de Lux in Randolph, which sports an IMAX and an immersive MX4D theater, is closing its doors at the beginning of next month. In a statement on the company's website, it said, "It has been our pleasure to serve the Randolph community." The last full day of cinema operations at the standalone facility on Mazzeo Drive will be on Sunday, March 1, the statement said.
As Broadway heads into the busy spring theater season, a wave of new productions and high-profile revivals is arriving across Midtown. This year's lineup leans heavily on recognizable titles including revivals of classics and stage adaptations of familiar screen properties as well as star casting.
This isn't the circus you remember from childhood, though. After shuttering its tents in 2017 amid declining ticket sales and growing concerns about animal welfare, Ringling spent years rethinking what a modern circus could look like. When it returned three years ago, it did so with a fully animal-free format, leaning instead into global performance, music and arena-scale production. The current tour, overseen by Feld Entertainment, continues that approach, turning the circus into a live, high-energy cultural mashup rather than mere nostalgia.
First in a Chinatown mall beneath the Manhattan Bridge and then in a nondescript third-floor room nearby, Francis Irv exhibited a heady, multigenerational mix of artists from the United States and Europe, variously established, obscure, and on the rise. Megan Marrin showed alluring paintings of 1960s celebrities (replicas of photo souvenirs shaped like clothes hangars) last fall. Win McCarthy placed bricks, plastic takeout containers, and bedding on the floor in a charged, melancholic 2024 exhibition.