After hearing gallerists' complaints about the rising cost of fair participation, he says he began planning Enzo last summer with the goal of creating a low-cost, collegial environment. "There's no build-out, there's no division, there are no walls," he says. "It feels almost like one presentation amongst nine galleries I really love."
Fernando studied at a Mexico City dance academy that receives funding from Jennifer's arts foundation. Their torrid affair began some time ago, during one of Jennifer's many trips to Mexico. Now Fernando has entered the U.S. illegally to be with her, and he's determined to stay, and perhaps even launch his dance career.
I'm looking forward to fellowshipping with fellow art enthusiasts and seeing ambitious work from galleries around the world. I'm especially excited for the Collector X Dinner, which always brings together some of the most thoughtful voices in the art and business community.
From dramatic aquatic encounters to deep caves to fish and amphibians closely guarding their eggs, there's an entire world below the surface that few of us ever really get to see. That's where images like those in the annual Underwater Photographer of the Year (UPY) come in, glimpsing some of the darkest depths and most alluring and fragile ecosystems on the planet.
We are profoundly grateful to the Chan family for their extraordinary generosity and their commitment to making Stephen Shore's Uncommon Places accessible to all. Few bodies of work have so decisively changed the course of photography.
Morgan Neville, who won an Oscar for his film about backup singers, 20 Feet From Stardom, has joined that club. He's already directed outstanding biographies of everyone from Johnny Cash and Anthony Bourdain to Steve Martin and Fred Rogers. And now, Prime Video is premiering his latest documentary, Man on the Run, about former Beatle Paul McCartney.
We tell ourselves stories in order to live. For more than 50 years, the French artist Sophie Calle has worked in the space between facts and their retelling, demonstrating how the narratives we share about ourselves are always partial, constructed. Working across photography, text, film and installation, she reveals how fantasy and projection intervene in our best attempts to see and be seen.
The project, titled 'From Desert Sand to Alpine Snow,' centers on twenty hand-knotted fiber panels first commissioned for the Tanweer Festival in 2025. Installed in a 10 by 10 meter steel frame rising six meters high, the work stood directly on desert ground, its saturated colors vibrating against the pale sand and rocky escarpments of Mleiha.
At a moment when global progress demands bold and decisive action, the 2026 Women of the Year remind us that individual leadership remains one of the most powerful catalysts for change. Sherald is best known for her official portrait of former First Lady Michelle Obama, renowned for her signature combination of grisaille skin tones and colorful, fashionable attire.
Designed in close dialogue with the Prado's conservators, the coats meet strict functional requirements essential to restoration work. They are constructed from high-quality, non-reflective materials that prevent any glare from interfering with the surface of a painting-an essential consideration when working millimeters away from a Velázquez or a Bosch.
While taking a break from her musical career, Tifrere founded the nonprofit organisations ArtLeadHER and Art Genesis in 2016. ArtLeadHER provides visual-arts education and exhibition opportunities to women and teenage girls, while Art Genesis helps organise shows for emerging and underrepresented artists.
Driskell started collecting in 1955 after taking a position as an art professor at Talladega College. As he explained in a 2017 lecture at the Whitney Museum of American Art, he put aside a small budget for art each year from his beginning salary of $3,000.
He's an artist that was a major presence in Los Angeles art for almost 50 years, one of the best sculptors to emerge in this town. But he hides in plain sight. Not enough people know about what makes him the artist that he is. When we look closer at Bob's work, he was an artist that was a part of the discussion here in Los Angeles for a very long time.
Raw Material: The Art and Life of Susan Kleckner, on view at Haverford College's Cantor Fitzgerald Gallery through April 5, 2026, is the first comprehensive retrospective of the pioneering feminist artist, filmmaker, photographer, and performance artist. Bringing together nearly 100 works, many never before publicly exhibited, the exhibition seeks to reposition Kleckner as a foundational figure in feminist, queer, and activist art histories.
The redevelopment prompted Simon and Catriona Mordant, leading Australian arts philanthropists, to make a record gift of 25 works from their private collection, and the gallery will present these to the public in a special exhibition to open in May. The building expansion makes Newcastle Art Gallery the largest public art institution in New South Wales outside Sydney.
Bricci was a multihyphenate artist active in the mid-17th century, and unique among female artists in that she was not only a painter but also an architect (most famous for a now destroyed Villa Benedetta Il Vascello), sculptor, and amateur musician. The daughter of an artist, Giovanni Bricci, she learned basic skills in his workshop and also worked his connections to meet potential patrons.
Since launching its first project in 1968—a sculptural embossed silkscreen book by the multimedia artist Lucas Samaras—Pace Prints has worked with artists to expand the formal and technical possibilities of printmaking. In the ensuing decades, the publisher has supported projects by artists like Louise Nevelson and John Chamberlain that blur distinctions between print, collage, sculpture and painting, often emphasising scale and material experimentation.
According to a new report from the LA Times, 10 former employees of Baca's nonprofit, the Social and Public Art Resource Center (SPARC), allege that she misused funds from a $5 million Mellon Foundation grant in 2021. The funding was specifically to be administered over three years for the expansion of "The Great Wall" mural, a portion of which went on view at Jeffrey Deitch gallery in Los Angeles last Saturday, February 20.
Every day, I see something new, simply because I'm there. My office is currently hung with a pair of enormous 18th-century landscape paintings by Richard Wilson. That will change, but for now I get to spend time with works I wouldn't otherwise look at so often.
Kohli's work is inspired by the generative forces of nature-its cycles of growth, dissolution, and renewal. Central to the artist's visual language is Shakti, the transformative power of the divine feminine. Kohli uses the womb as a potent symbol of creation and possibility, exploring transformation within the eternal cycles of birth and death.
"Drawings at the IFPDA make great sense," said Jenny Gibbs, Executive Director of the IFPDA and IFPDA Foundation. "Museums group them together because both media represent graphic thinking and the transmutation of ideas through line and pressure."
They're flawed, they're sad, and they're comic. ... They are everything. Swedish actor Stellan Skarsgård expresses his philosophy that human beings are nuanced creatures rather than simply good or evil, reflecting his approach to character development and his rejection of one-dimensional villains.
The Irish government will give 2,000 artists unrestricted weekly stipends in a program officials described as a "recognition, at government level, of the important role of the arts in Irish society." After a successful three-year pilot, the Irish government made its basic income program for artists permanent. Similar pilots have been launched here in the United States, but they're supported primarily by the nonprofit sector.
Appointed Artistic Director of the Visual Arts Department in December 2024, Kouoh had fully developed the theoretical framework of the exhibition, artist selection, editorial structure, graphic identity, and spatial layout prior to her passing in May 2025. With the support of her family, La Biennale di Venezia committed to realizing the project exactly as she had conceived it.
A robotic bird leaves footprints over sand while another machine follows behind to erase the tracks with a toothbrush, along with a thin wire rake that smooths the sand. Finally, soft bristles flatten the surface to complete the tracks' erasure.
Baca, who was awarded the National Medal of Arts by former US president Joe Biden, is working with a team of artists to tell socially engaged stories on 12ft-tall panels. "I want to use public space to create ... consciousness about the presence of people who are often the majority of the population but who may not be represented in any visual way," she says.
"I rarely use the term collecting and collector," Hsu-Tang says. "We both see ourselves as messengers... I don't own these works of art. I'm here to be a temporary steward of these messages, and to pass on-it's my duty to connect the past, the present and the future."
The Ukrainian-born jewellery artist Aleksandr Dotsenko, who was serving a three-year prison sentence in Russia for allegedly placing anti-war slogans in a supermarket in the Leningrad region, died on 19 February of a heart attack, according to media reports. Dotsenko, who was 65 when he died, was convicted of "public calls for terrorist activities" alongside his wife, the artist Anastasia Dyudyaeva, in July 2024. Dotsenko was sentenced to three years in prison, while Dyudyaeva is serving three-and-a-half years.
