#costume-design

#costume-design

The modular, retro-futuristic production design of The Fantastic Four: First Steps features children’s drawings of flying cars, cute robots, and Technicolor space travel, which contrast with modern elements.

"As much as it concerns itself with artisanal produce and the turmoils and triumphs of found family, it is also a show about menswear..."

Takashi Miike's 'Audition' and 'Ichi The Killer' explore violence and psychosexual dynamics, showcasing the director's stylistic flair through contrasting narratives and visual styles.

At its core, The Handmaid's Tale's costume design is a matter of status. Each handmaid is given a red 'uniform' - a scarlet letter that distinguishes them as 'other' while making them easily identifiable should they attempt a futile escape.

"At Fonco Studios, we specialize in creating the unusual and unbelievable, turning visions into Hollywood realities through expert costume, prop and set design."

Bob Mackie reflects on his career, showcasing his designs for iconic entertainers like Madonna and Elton John, emphasizing his unique blend of artistry and performance.

Clothing is essential in character design as it conveys information about personality, role, culture, and social station, beyond just physical attributes.

"In 1960 my grandmother gave me a book on the history of costume. Every night I was learning, sketching, trying to understand. I was not only fascinated, I was totally obsessed."

Portland Opera's production, though it may not become a classic, successfully attracted a younger audience, showcasing the contemporary relevance of opera.

It's been so great to hear from people. It's just been fabulous chaos all day.

Kylie Jenner's homage to Demi Moore's iconic character Erin Grant from 'Striptease' involved a detailed recreation of the original movie scenes, showcasing her flair for fashion.

Ursula Boschet, the 90-year-old owner of a legendary costume shop, attributes its decline to online shopping and high operational costs, leading to its permanent closure.

Michael O'Connor emphasized the dual role of a costume designer, saying it's akin to being a historian and artist, which is essential for authentically capturing Tudor England's essence.