#fotofest

#fotofest

The Olympus Perspective Playground operates as a fully built system, where walls, lighting rigs, circulation paths, and signage are developed together with each installation, creating a continuous spatial script.

"The films at this year's Festival represent a wide array of voices, regions, storytelling, and style. In our increasingly divided world, film is a medium that can close some of those gaps, and help us understand the universality of humanity."

Casa Kahlo offers an unprecedented look into the famed Mexican painter's family home, Casa Roja, which stands just blocks away from Casa Azul in Mexico City. Kahlo would retreat to Casa Roja when Casa Azul got crazy.

Framing the 2026 festival with the theme 'Against the Current,' we see that there's no one way to interpret or contend with this present moment. From investigative documentaries to family-friendly animations to late-night eco-horror shorts, this year's slate of films celebrates those who build resilience and seek solutions.

For its 40th year, the popular culture and technology festival in Austin embarked on its experimental era. Amid renovations to the Austin Convention Center, which won't reopen until 2029, the festival chose to spill it all outward into downtown Austin. The temporary closure of the center led to what the festival's organizers dubbed the Congress Avenue Block Party-a long stretch of city blocks that shut down traffic to become occupied by various activations.

Following its acclaimed world premiere, 'Spectacular: The Art of Jonathan Yeo in Augmented Reality' makes its U.S. debut at SXSW from March 15th-17th, 2026. By blending Yeo's distinctive portraiture style with Snap's cutting-edge technology, the exhibit transforms a selection of his royal, celebrity, and self-portraits into living, responsive installations that invite guests to see beyond the frame.

The Azn Zine Fest is to show Portland there's a fuck-ton of Asian creatives. When we put out the call for vendors, we were like, 'Maybe 30 to 50 people will respond to our call.' We had probably 120 respond.

The brutal crackdown in Iran, ICE in Minneapolis, Russian aistrikes in Kyiv and heavy rain in Gaza the past seven days as captured by the world's leading photojournalists

Join us February 22, 2026, at The Roxie Theater for 836M FESTour first mini documentary festival. This inaugural program features two powerful films: Porcelain War and Prime Minister. Together, these documentaries embody our 2026 Metamorphosis theme, celebrating resilience, transformation, and the extraordinary ways humans adapt in pursuit of a better world. 836M Fest Sunday, February 22, 2026 Noon Porcelain War 2:30p Prime Minister Roxie Theater, 3117 16th Street, SF

For the Escarrias-petite sisters of African descent born ten months apart in Cali, Colombia-commercial photography was in their family DNA. Their parents established a studio in their hometown that was overseen by their mother after their father's early demise. The siblings learned the family trade, and when they fled the country's civil war in 1958, they quickly reestablished the studio in Buenos Aires.

Dealers like artists with established sales records because it lowers their already considerable financial exposure. Renting a gallery space in Tribeca costs anywhere between $8,000-30,000 a month on top of staff, marketing, and daily operations. With that kind of overhead, very few business owners can afford to take on the financial risk of untested artists.

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.

I wanted to translate that idea into public space, to imagine the trail as a site of encounter between visitors and works by artists whose visual language already centres otherworldly beings, creatures or ecologies. In that meeting, the strange or unfamiliar hopefully becomes a source of curiosity and interconnectedness.

"Drawings at the IFPDA make great sense," said Jenny Gibbs, Executive Director of the IFPDA and IFPDA Foundation. "Museums group them together because both media represent graphic thinking and the transmutation of ideas through line and pressure."

With most of us, 90 minutes of reminiscing wouldn't make for scintillating theater. Gert Boyle, as played by Wendy Westerwelle, is the exception to that rule. The late Gert came to fame when she took the reins of Columbia Sportswear after her husband's death in 1970 and also became the "One Tough Mother," with gray hair and glasses, of its comedic '80s and '90s ad campaigns. In one, she put her son, Tim, through a carwash to test the durability of a coat.