#pre-columbian-artifacts

#pre-columbian-artifacts

Frida Kahlo, during her 1933 trip to New York, created a colorful haven in her hotel room by covering the walls with prints by José Guadalupe Posada, which depicted sensational news and political imagery.

If there's an earthquake? You'll need a bolillo pa'l susto (a bread roll to calm the nerves). Constructing your Day of the Dead altar? Make sure there's a sugary, orange-flavored pan de muerto on there to guide your loved ones back to the land of the living. And lest we forget the rosca de reyes-oval-shaped sweet bread topped with jellies and dried fruits that's served on Kings' Day (January 6) and contains hidden baby Jesus figurines.

The momoztli altar measures about one meter square and consists of three sections: a base of andesite quarry stone, a second section of larger slabs, and a top section of river stones and basalt.

Archaeologists in Mexico have uncovered a 1,400-year-old tomb in the Central Valleys of Oaxaca that had been lost to history. The stone structure, built by the Zapotec culture, known as Be'ena'a, or 'The Cloud People', is adorned with sculptures, murals and carved symbols that suggest ritual significance. The Zapotec believed their ancestors descended from the clouds and that, in death, their souls returned to the heavens as spirits.

It is not about reproducing the past but about engaging in dialogue with it. We apply the same level of care and rigor to all pieces. Many of our utilitarian pieces have a strong sculptural quality, and several of the more artistic works originate from everyday forms and functions. We do not establish rigid boundaries between these categories; all are part of the same vision.

"At Monte Albán alone, more than 200 tombs of varying size and decoration reflect social, political and economic differences among the ancient Zapotecs," Javier Urcid, an anthropology professor at Brandeis University in Massachusetts, tells The Art Newspaper. "Built beneath residences, tombs were reused over generations-with additional burials and occasional changes to offerings or decoration. The inscribed genealogies verified membership in family lineages."

Visually striking and intricately crafted, the traditional armour and weaponry of the Kiribati islands in the Pacific Ocean were built from coconut fibre, human hair, sharks' teeth and porcupine fish. Yet, fearsome and lethal as these objects were, the people of this remote archipelago weren't especially warlike, as British colonists had long assumed, but were instead part of a ritualised style of combat intended to keep violence between clashing groups to a minimum.

Grant­ed access to a time machine, few of us would pre­sum­ably opt first for the expe­ri­ence of skull surgery by the Incas. Yet our chances of sur­vival would be bet­ter than if we under­went the same pro­ce­dure 400 years lat­er, at least if it took place on a Civ­il War bat­tle­field. In both fif­teenth-cen­tu­ry Peru and the nine­teenth-cen­tu­ry Unit­ed States, sur­geons were per­form­ing a lot of trepa­na­tion, or removal of a por­tion of the skull.

Traveller check into hotels for easy access to historical Mayan sites and the cenotes beyond, with ambles through colourful squares and late, balmy nights digesting feasts over tequila tipples. Between cultural excursions and natural wonders, however, there's much to be said for the artisans in these parts. From crafted perfumes to handmade chocolates, these are the gifts and trinkets to make space for in your luggage.

Researchers have found traces of what appears to be plant-derived poison on tiny stone arrowheads from South Africa dated to 60,000 years ago. The finding pushes back the origin of this revolutionary hunting technology by tens of thousands of years. Scientists have long been fascinated by the development of poisoned hunting weapons. For one thing, they would have seriously leveled up our ancestors' foraging game.

"I rarely use the term collecting and collector," Hsu-Tang says. "We both see ourselves as messengers... I don't own these works of art. I'm here to be a temporary steward of these messages, and to pass on-it's my duty to connect the past, the present and the future."

Last February, master of ceremonies Dennis Bowen (a Seneca elder) welcomed the reigning champion into the 2025 World Championship Hoop Dance Contest arena at the Heard Museum in Phoenix, Arizona. Thousands of spectators joined them to watch more than 100 dancers compete across the two-day event. Bowen announced Josiah Enriquez's (Pueblo of Pojoaque, Navajo, Isleta) accomplishments as a top place finisher several years running in the teen division and as the surprise winner in an unprecedented tiebreaking round in the adult division the year before.

His investigation began after identifying recurring giant T-shapes, three-level indents, and step pyramids carved into ancient stones worldwide. 'These specific symbols that are built in different size proportions, and the symbols are found in ancient stones around the world, are not supposed to exist; no cultures are supposed to have any cross-platform,' LaCroix explained. The symbols appear in locations ranging from Turkey's Van region to South America and Cambodia.

The accompanying catalogue for Hawai' i: a Kingdom Crossing Oceans features more than 150 works, from ancient Hawaiian treasures to important contemporary pieces, telling "a compelling story of movement, allyship and cultural exchange [between the UK and Hawaii]". An inventory of the entire collection of Native Hawaiian works housed at the British Museum, the largest collection outside of Hawaii, is included in the catalogue.

Candidly, most people visiting the British Museum's Hawaii exhibition probably walk in with a lot of stereotypical preconceptions about the island nation. And will walk out with a totally different understanding of it. Understandably, we probably think of it as not much more than the Pacific island nation that's part of the USA, home to Pearl Harbour and the long-running TV show Hawaii 5.0.