#dot-matrix

#dot-matrix

HorsegiirL was on billboards and posters across Berlin, London and New York, featuring cinematic studio shots with a hot desert sun casting five different, alphabetical shadows. This campaign was a serious move to share in the real world, as horsegiirL exists in physical space, in front of crowds.

Yale came to me and said there isn't an overarching book about the history of printmaking; they wanted it to be about the printed image. There are a lot of books about printing-about the history of journalism or the history of books, the printing press and the printed word-but not so much about the printed image and its processes. So that was my challenge.

Anthropic set up an interactive experience that turned two typewriters into interfaces to chat with Claude. Visitors type questions about the exhibition, and Claude responds based on provided information.

One thing I spent a lot of effort on is getting edges looking sharp. Take a look at this rotating cube example: Try opening the "split" view. Notice how well the characters follow the contour of the square. This renderer works well for animated scenes, like the ones above, but we can also use it to render static images: The image of Saturn was generated with ChatGPT.

We might be exposed to more ads and commercials today than ever before in human history, but the idea of advertising itself is certainly not a new concept. According to Instapage, the first signs of advertisements actually appeared in ancient Egyptian steel carvings from 2000 BC. Meanwhile, the first printed ad was published in 1472, when William Caxton decided to advertise a book by posting flyers on church doors in England.

It's now an online sci-fi extraction shooter in which players beam down to the planet Tau Ceti IV to scavenge for loot, carry out missions and potentially blast each other in the process. Its closest rival is Arc Raiders, which makes a similar use of stylised retro-futurism.

At first glance, the GIA looks like it time-traveled from a 1960s Italian design studio, stopped briefly in 2026 to pick up some modern tech, and landed on your desk with a personality. The inspiration comes from Olivetti typewriters, those gorgeous mechanical machines that made office work feel like an art form. Remember when tools had character? When objects didn't just function but made you feel something? That's what Bedrina is tapping into here.

There's a real convenience to being able to print a lease agreement, a medical form, or a tax document without having to run to a copy shop or library. When you need something signed and returned quickly, having a printer at home means you don't have to rearrange your schedule around a trip across town. That kind of on-demand access saves both time and stress, especially during situations that are already a little chaotic.

Trying to write on a laptop means fighting a machine that is also a notification box, streaming portal, and social feed. Distraction-free apps help, but they still live inside the same browser-and-tab chaos, surrounded by everything else your computer knows how to do. Some writers just want a device that only knows how to produce plain text and does not care about anything else happening in the world.

Upload any picture or video, and Musubi uses artificial intelligence to extract the most important part and hover it in space as a 3D image within the frame. That could be a video of a child's first steps or a snapshot of a birthday party. The image will be displayed in 3D form, viewable in all its holographic glory across nearly 170 degrees.

Designed by artists and designers from across the globe, each wallpaper comes in a variety of screen resolutions and can be downloaded for free. A huge thank-you to everyone who shared their designs with us - this post wouldn't be possible without your kind support!

Infused with history, the slab cannot help but suggest the old West's frontier clichés, for such ephemera as classic wanted posters, political broadsides, cautionary warning signs, and more generic commercial applications. Cattivo is a brand-new 18-font family that, when used in any weight and size, cuts through nostalgic predictability and provides a welcome alternative to such popular Egyptian-style slab serifs as Stymie and Memphis.

Mattel operates dozens of brands under its corporate umbrella, each with their own visual identity and brand voice. But, until now, Mattel has never had its own proprietary typeface for its overarching brand, instead opting to license multiple existing fonts on a global scale—an endeavor that was not only expensive, but also came at the cost of visual consistency across Mattel's many product lines.