#graphic-design

#graphic-design

Massaranduba, the small agricultural town in the south of Brazil that Pedro grew up in is far from sci-fi, but this graphic designer's imagination takes him some place else. From posters, illustration, magazine layouts and typefaces (such as pieces that focus on sci-fi author Ursula K. Le Guin 's fictional Kesh alphabet), Pedro works digitally with a focus on textures and grit, using dithers and fractals to build upon visual world's textures. His projects are "mood-centred", which begin by assembling references from all over to refine feelings that are conjured up by consuming films, fashion, music and other visual forms.

Federico Seneca (18911976) emerged as one of the most influential graphic designers of the early 20th century, known for fusing avantgarde artistry with commercial clarity. As art director for Perugina and later Buitoni, he reshaped Italian advertising by replacing literal imagery with bold, metaphordriven visuals. His most iconic contribution was the Baci chocolate identity, inspired by Hayez's *The Kiss*, featuring two lovers silhouetted against deep midnight blue. Drawing heavily from Futurism and Cubism, his work embraced geometric forms, dramatic contrasts,

At next month's event, you can expect talks from Liang-Jung Chen, a London-based artist interested in material culture as they work across several mediums. After going viral with their UK indefinite leave to remain project, which was a thrilling piece of screen-recorded performance art within Microsoft Excel, Liang-Jung will be joining the stage to elaborate on how that project came about whilst introducing their versatile practice.

The graphic designer and content creator James Junk took to the stage at November's Nicer Tuesdays in LA to share the process behind multiple areas of his creative work with brands, sustainability, fashion design and social media work.

It's easy, for me at least, to be cynical about the state of design. Our visual environment can feel bland, everything from brands to buildings homogenized around similar styles. The ever-impending AI takeover can make the future of this work uncertain. My reading around design this year tended to focus on two things: looking back and looking ahead. In looking through design history, I was looking for glimpses of alternative ways of designing: the experimental, the absurd, the weird.

This year has produced a glorious array of movie posters, and although there was plenty to admire in the brash marketing of big budget franchise fare - there was some interesting work around Tron: Ares and Thunderbolts, for example - it's perhaps telling that the most eye-catching creativity can be found promoting lower budget films that don't have recognisable IP to fall back on.

The projects that Brodie takes on are created with a mix of digital and physical - his work shouts that hands are at work. Lady Gaga is stretched and made viscous for the cover of Mayhem, her sixth solo studio album, for which Brodie provided art direction and design, with creative direction from Mel Roy of mtla studio and Todd Tourso of Iconoclast.

This incredible lineup of creative contributors began as a call-out to friends and colleagues of Aya's amongst her work as a cultural strategist, producer and curator for grassroots initiatives and non-profits, before it snowballed into something with a much wider remit. It was important to the book's editor to have a range of figures to contribute across disciplines. "Many of the book's contributors are Palestinian," she says, "the rest are steadfast allies."

Many laptops offer a simple utility to its user; with nondescript design, understated performance, and generic features. Y'know, 90% of what you see in any given café or hotdesking office. Then you have 'power laptops', bigger, bulkier studio or gaming machines, with a thicker chassis to house a dedicated graphics card and maybe a touch of flair to their external design, to allow their now-impoverished/indebted owner to show off a bit.

Authoritarian governments have always suppressed protest and dissent, but democracies have done so as well. Ironically, we are now witnessing increasing restrictions on the right to protest from governments whose very foundations were built through the kinds of protest they now seek to suppress. Historically social crises reach the mainstream via protest - which can take many forms - this helps society reevaluate and evolve, making it more understanding and tolerant.

For a while now, we've been seeing companies that fired a bunch of their human workers in favor of artificial intelligence move to recoup some of that flesh-and-blood labor. Now, that push has resulted in a new line of gig work: slop fixer-uppers, who get paid to improve AI-generated art, writing, and code - by making it less, well, sloppy.

This week it's the 70th birthday of the Guinness Book of Records, that gloriously bonkers compendium of human achievement that celebrates the people who can stuff the most marshmallows in their mouth, balance the most spoons on their body, and hula hoop underwater for the longest time. It features everything from standard athletic victories to "most high fives in 30 seconds" and "fastest time to make a pasta necklace."

Harriet’s approach to layering hydration is thoughtful, but the persistent redness suggests her skin barrier is under some stress, likely from a combination of environmental changes and dry indoor conditions.

Fans have critiqued the character posters for Ariana Grande's Glinda and Cynthia Erivo's Elphaba, claiming both utilize AI in their creation, leading to disappointment.

Asks for Blender expertise grew 82% year over year, while requests for proficiency with Canva went up 72%. Canva's templated approach took off with the masses.

The ASUS ProArt P16 provides the necessary specs for intensive creative workflows and goes the extra mile with additional quality of life improvements that were clearly designed with creatives in mind.