Fashion & style
fromArchitectural Digest
8 months agoThe Best Washable Rugs Are One Spin Cycle Away From Good-as-New
Machine washable rugs are increasingly available in various styles, making maintenance easier for high-traffic spaces.
Pewter is a tin-based alloy, now made with mostly tin plus small amounts of other metals for extra strength, including copper, antimony, and bismuth - but never the dangerous lead as in days gone by.
"We met with linen and wool weavers and were blown away by the exceptional quality and beauty of the cloth they produced, as well as the depth of [textile] history in Ireland. We were in equal measure concerned by the decline in the number of weavers. They mentioned that they were losing out to cheaper cloth from abroad and that Irish buyers were few and far between."
Craft is often defined as skill in making things by hand, but this interpretation is being challenged by AI. Craft transcends physical interaction; historical figures like Mozart and Beethoven exemplify mastery without traditional methods.
"They're everyday professionals who simply don't have the time to shop the traditional way," said Kneen about J. Hilburn customers. Instead, stylists manage fit, fabrics and wardrobe planning, effectively outsourcing the entire process for busy professionals.
A good kitchen rug will follow a particular set of criteria. First and foremost it should be washable, because the kitchen is a dirty place. The second criteria is that it should be interesting, as an interesting texture, pattern, or color scheme can obscure the inevitable accumulation of wear.
I'll be honest: Washing my actual pillows (not just the cases) used to be one of those chores I knew I should be doing, but rarely actually did. As long as my pillows were tucked inside clean pillowcases, I convinced myself they were fine. But that all changed after I came across this article on Apartment Therapy where three popular pillow-washing methods were put to the test.
Making pojagi was a way of "economizing resources," and also "an act of affection," explains artist-fashion designer Christina Kim of Remodelista longtime favorite Dosa. Shown here: Dosa's cotton and silk Pojagi Scarves are "both a reminder of Christina's childhood in Korea and a beautiful expression of traditional recycling"-and would work well on a wall or in a doorway.
Above: This dinner-party-friendly kitchen went wild over on Instagram for a full tour, see Kitchen of the Week: Off-Cut Cabinets Create a Rainbow of Wood in Edinburgh. Photograph by Richard Gaston. Shoppe Object is going on this weekend in NYC; head here for all the details. This Canadian cabin is the surprise star of the month, thanks to Heated Rivalry. Kudos. "Your kitchen objects are filled with feelings": Eager to read this book on "love, loss, and kitchen objects." Ooh, time to paint your stair risers? Our friends at Dosa are part of "The Host, the Guest," an exhibit at Atla in LA; head here for info.
My husband and I just upgraded our apartment here in Germany to one with much more space. The downsides of this is we have hard marble floors and a tall-ceilinged living room (oh woe is us!). It's very echo-y and looks directly into our neighbors across the street. The windows have external shutters, so light-blocking isn't needed, but we'd love to get
Furniture made from mycelium or algae can decompose in five years, sure, but a well-made antique armoire outlives empires because no one throws it away. Columns takes that logic seriously. Handcrafted in solid oak, natural leather, and horsehair, the pieces are built to last a thousand years, which sounds like marketing hyperbole until you look at the joinery, the hand stitching, and the material choices. This is furniture designed to be inherited, repaired, and remembered.
In the show, "dirty" extends to anything that breaks fashion's pact with propriety. Here are clothes caked in grime, blotted with makeup, stiffened by salt, pieced from trash, frayed, and faded. The garments span decades, from the 1980s through the mid-2000s, when the likes of Vivienne Westwood and Jean Paul Gaultier built their fame on defying convention, to today, when corporatization has made such daring increasingly rare. But forgoing practicality frees certain designers from the demands that the body be polite-and thereby policed.
This research-based design project by Laura Oliveira investigates discarded as a potential raw material for sustainable design applications. Human hair is produced continuously and in large quantities through everyday grooming practices, yet it is almost always treated as waste once separated from the body and typically disposed of in landfills. Despite its material properties, strength, flexibility, and durability as a keratin-based protein fiber, its remains uncommon within design and research contexts.