Marie Watt's balance of technical precision and expansive vision melds in larger-than-life textile processes and multimedia explorations. Storywork centers stories from her Seneca Nation ancestry, pairing them with references to everything from Greco-Roman myth to Star Trek. The selection of narrative prints appears alongside a sculptural tin jingle cloud. Programming includes an October 2 performance by champion jingle dancer Acosia Red Elk and a campus native plant tour led by the Indigenous Traditional Ecological and Cultural Knowledge team on October 14.
Exploring transness through soft, quilted terrain, Waters of Body pairs works by Portland artists Yana Sternberger-Moyé, Molly Alloy, and Michael Espinoza with Transmissions Quilts Project, artist Cordy Joan's quilt-making initiative for trans and gender-queer people countrywide. The exhibition joins other interesting shows installed at PNCA: Portland Textile Month's Warp Speed: Contemporary Conversations in Fiber showcases vibrant, fuzzy fiber works from the former Museum of Contemporary Craft's collection, and Angelo Scott's Time-Based Art Festival installation.
Rachel Hayes transforms architectural spaces and natural landscapes into shifting compositions of color and movement with large-scale textile-based installations that are site-specific and vibrant.
Hayes uses color, translucency, and composition to radically reshape the way viewers experience architecture and nature through large-scale, site-specific installations.
I am a painter who uses the loom to paint, and I consider my palette and my words as part of my materials repertoire. My weavings feel spontaneous, but they are meticulously planned from composition to fiber choices.