The Long Man may be Anglo-Saxon in origin; the shape is similar to the design on a buckle discovered in Kent in 1964 by the archaeologist Sonia Chadwick Hawkes, which probably represents the god Odin (or Woden).
"What we wanted to do was to make this about people. When I came into my role, it was exactly at the time that the pandemic began. We built a team, an idea, and a vision through remote work."
The tulips gained fame in 1912, when it was widely reported that a tulip with four distinct blooms on one stem had been spotted at the palace, and the following year, it was reported that the palace had its best display in many years.
It's not a house of outstanding art, being a self-taught carver whose skills evidently advanced over the years, as you can see the evolution from fairly rough carving on the stairs to the very skilled work in the living room. He also created the paintings on the walls - talented chap - but never finished the carving in the living room, as his time finally ran out.
Every hotel on this list has been selected independently by our editors and written by a Condé Nast Traveller journalist who knows the destination and has stayed at that property. When choosing hotels, our editors consider both luxury properties and boutique and lesser-known boltholes that offer an authentic and insider experience of a destination. We're always looking for beautiful design, a great location and warm service - as well as serious sustainability credentials.
A string quartet was playing in the hotel's lobby on our arrival, and the music drifted gently through to the Green Parlour as we took our tea. The tea room itself is unmilitary in style, with lots of soft greens and botanical art on the walls. For those who like their afternoon tea with bubbles, there's a choice of English sparkling wines at the Green Parlour.
Twelve weeks after coming on the market, the Surrey house used to portray the home of actress Maggie Smith's character, Lady Violet Crawley, found a buyer and recently closed along with several adjacent properties for nearly $9 million. Known as Dower House on the TV series, it was built around 1686.
The Grade II listed building is on Historic England's Heritage at Risk Register and is currently recorded as being in poor condition. The national Marine Society and Sea Cadets (MSSC), which held the lease, has confirmed that it can no longer meet the building's repair obligations and will surrender the lease so that restoration can be carried out by new occupants.
Whitehall's Banqueting House, one of the few survivors of the vast Palace of Whitehall, is due to reopen this summer, but is having a few preview days before fully reopening. Inside the highlight is the painted ceiling by Sir Peter Paul Rubens, commissioned by King Charles I and installed in 1636. That painted ceiling would also have been one of the last things the King saw when he was led out onto the scaffolding to be executed.
Despite its proximity to one of London's busiest tourist attractions, its back street location is remarkably quiet and peaceful. Leading off Stafford Place, it was originally, and unsurprisingly, called Stafford Mews, as it was built as stabling for houses on Buckingham Gate, facing the palace. Constructed around 1860, the stables were simple two-storey houses, built initially with stables at the ground and accommodation above.
These days, brutalist buildings are among London's most celebrated works of architecture. But it hasn't always been this way. Back in 1967, the Southbank Centre, one of the city's most striking examples of the style, was voted Britain's ugliest building by readers of the Daily Mail. In the latest indicator of just how much times have changed, today (February 10) the Southbank Centre has been awarded listed status by the Department for Culture Media and Sport.
Treasures unearthed by hundreds of archaeologists so far during work on the controversial planned HS2 train line have been shown exclusively to the BBC. The 450,000 objects, which are being held in a secret warehouse, include a possible Roman gladiator's tag, a hand axe that may be more than 40,000 years old and 19th Century gold dentures. It is an "unprecedented" amount and array of items, which will yield new insights into Britain's past, says the Centre for British Archaeology.