'In this paper a novel optical illusion is described in which purple structures (dots) are perceived as purple at the point of fixation, while the surrounding structures (dots) of the same purple colour are perceived toward a blue hue.'
Designed by artists and designers from across the globe, each wallpaper comes in a variety of screen resolutions and can be downloaded for free. A huge thank-you to everyone who shared their designs with us - this post wouldn't be possible without your kind support!
The Snapseed camera defaults to an automatic mode, but also includes optional controls for ISO, shutter speed, and focus, along with flash and zoom. It allows you to shoot using saved looks and edit stacks from the app, which can be altered after the shot is taken, along with a range of preset film effects inspired by specific films from Kodak, Fujifilm, and more. There's even a handful of UI color themes to pick from too.
Static images don't show motion. You can't inspect real product structure. You don't see how interfaces evolve over time. You rarely understand what actually works in production. So I decided to go deep. I reviewed every major design reference platform I could find - not just the popular ones - and analyzed how they actually help in real-world work. The conclusion?
From Do Ho Suh's ethereal architecture to Kimsooja's irridescent mirrors to Lauren Halsey's fringed tapestry, a new book from Monacelli celebrates a broad spectrum of light and color. Rainbow Dreams features more than 200 installations, sculptures, paintings, photographs, and more that revel in the possibilities of pigment. Bound in a smooth gradient that extends to the pages' edges, this vivid survey is a celebratory, playful object in itself.
There have been a few drafts of a specification function for this functionality, most recently, contrast-color() (formerly color-contrast()) in the CSS Color Module Level 5 draft. But with Safari and Firefox being the only browsers that have implemented it so far, the final version of this functionality is likely still a ways off. There has been a lot of functionality added to CSS in the meantime; enough that I wanted to see whether we could implement it in a cross-browser friendly way today. Here's what I have: color: oklch(from <your color> round(1.21 - L) 0 0);
One predictable pain point with contrast-color() is that it only returns black and white named colors. From a design systems perspective, that's not ideal because you want your colors. You want your harmonious brand and the colors you and your team spent thousands of man hours in meetings deciding on. Those colors. In fact, an earlier version of Safari had color-contrast() (confusing I know, naming is hard) which allowed you to pass in a list of best candidates to choose from. I beleive that proposal got mired in standards discussions, color contrast algorithms, and competing proposals; and contrast-color() is what survived which got simplified down to a binary result.
I've recently refreshed the animated graphics on my website with a new theme and a group of pioneering characters, putting into practice plenty of the techniques I shared in this series. A few of my animations change appearance when someone interacts with them or at different times of day. The colours in the graphic atop my blog pages change from morning until night every day.
Its newest, though, is a single-fan book with more than 600 spot colors, and it's priced at just $99. Pantone for beginners. Pantone on Thursday announced its Pantone Capsule: Signature Edition. Housed in a collectible, cylindrical case that wouldn't look out of place in a Sephora, the guide is a sort of Pantone 101 that come on coated and uncoated paper stock with colors selected from across more than 60 years of Pantone history.
Linear-style UIs look simple, but the theming system has to do real work. Here's how to meet WCAG 2.2 contrast requirements across light, dark, and high-contrast modes whether you're using a UI library or rolling your own tokens.
This update includes the next iteration of the app's much-discussed Process Zero mode, adding HDR and ProRAW support to what is intended to be a hands-off, anti-computational image processing method. There's a new black-and-white film simulation that also supports HDR, and more new "Looks" to come. This is my semi-regular cue to remind you that HDR is not a dirty word. We tend to associate the term with an over-processed look when high-contrast scenes are translated to an SDR display.
