#indie-music

#indie-music

"In this multimedia age, there's one dance night in the city that rules them all, and it goes by the name of Fringe. It's the indie music lovers' holy grail, complete with giant video projections-which means for one night a month, you can pretend the glory of MTV never died." - 7×7 Magazine

The Maker Park Music and Art Fest celebrates eight years of Maker Park Radio, featuring over 120 DJs and promising an all-ages atmosphere with activities and diverse performances.

It was never my goal to start a record label when I was 21 and run it for the rest of my life. I have been doing this for 36 years now.

Rilo Kiley dazzled in one of their rare live shows after nearly two decades, and Bloc Party had everyone on their feet with a high-octane hour of indie rock fury.

For fans of Melt-Banana, the Birthday Party, Dïat Post-punk freak-out supreme show incoming! Seattle's always been a hub for noisy, outsider tunes.

Kicking off the playlist is Filipina American indie pop singer-songwriter Lyn Lapid, who just released a candid and catchy self-worth anthem, "Buzzkill." In it, she advocates for staying home instead of being around people who don't deserve your company.

It is with a resounding sadness that the Hurley family announces the recent sudden passing of the inimitable Michael Hurley. The 'Godfather of freak folk' was, for a prolific half-century, the purveyor of an eccentric genius and compassionate wit.

The Wombats are hitting the O2 Arena in London on March 19, 2025, performing in support of their latest album, Oh! The Ocean.

Even when I worked at ESPN/FiveThirtyEight, I always had a home recording setup. Since leaving - which happened to coincide with the start of the pandemic - I've made my basement recording studio my main home.

I'm excited about St. Vincent at Grace Cathedral, how incredible is that venue? And two nights of American Football playing their first album is definitely up there.

Schmidt reflects on a meaningful plane ride experience, capturing the loneliness both in solitude and in the company of someone who doesn't fulfill emotional needs.

When comparing the new transfers against previous ones, plus the existing CD master, we felt that the audio quality Adam had pulled off the original 1/4-inch tapes of Rob Schnapf's mixes (done with Joanna Bolme in 2004) was of a higher quality than what the public had heard on the original release. As we worked, I reflected on the fact that Elliott had asked me to come stay with him in Los Angeles in 2003, to sort out this album and see it finished.