Paramount's new strategy for G.I. Joe involves hiring Danny McBride and Max Landis to work on separate ideas involving the toy brand, with the studio planning to blend the two different scripts into a single one. McBride brings franchise experience from Halloween and The Exorcist reboots, while Landis returns following a 2019 investigation into abuse allegations.
Movies led by Black actors are more than just moments on a screen. Seeing the work lives of writer Darius Lovehall and photographer Nina Mosley unfold onscreen only made me feel more represented as a soon-to-be creative. And beyond their day jobs, exploring the vulnerability as the two meet and spark a romance, grow in relationship with their friends, and simply exist and unwind listening to poetry in their neighborhood speakeasy illustrates the overall humanity Black people deserve in and outside of a theater experience.
In a full house at the 1,025-seat Toni Rembe Theater, there was an eruption of gasps and shrieks. The grown man to my right reflexively gripped the arm of my seat, sheepishly muttering an apology. In a distant aisle, I spotted one person get up and run out of the theater, their friend trailing closely behind.
One of the best films screening at this year's festival is also one that was seriously underrated and misunderstood by both the critics and the public when it first appeared in 1957. 'Saint Joan' was producer-director Otto Preminger's adaptation of George Bernard Shaw's 1923 play about the life of Joan of Arc, a play the extremely well-read Preminger considered to be 'the greatest masterpiece ever written for the theater.'
A vast, miserable proletariat squanders its days in meaningless toil. Society is under the control of ultra-wealthy business magnates. In order to pacify the underclass, the ruling class pins its hopes on a technological solution: artificial intelligence. Welcome to the year 2026, as envisioned in Fritz Lang's Metropolis.
The historic film studios recorded global revenue of $37.3 billion, representing a 5% decrease compared to the previous year due to the decline in the cable business with a loss of advertising on the TNT, Discovery Channel, Cartoon Network and CNN channels.
I'm able to give this character the things that I want to be able to give this character, then you have the right guy. Russell says of his process in finding the vibe of the men he plays, emphasizing his intentional approach to embodying reluctant heroes across both Marvel and the Monsterverse.
Summersett went on to say that she expects the movie to feature "a strong Zelda" and a "powerful lead character in Zelda." As for Link, Summersett said she has "no idea" what the filmmakers are going to do with him. "Is he going to speak? They certainly haven't alluded to the fact that he does, yet," she said.
Bardot, who died in December aged 91, became arguably the most celebrated figure in postwar French cinema for films such as And God Created Woman and Contempt, but after quitting acting in the early 1970s her later years were marred by increasing political activity on the far right, resulting in a string of convictions for inciting racial hatred.
The Coronet Theatre's determination to present new, ground-breaking, often challenging international work, some of which would probably never be seen in this country otherwise, is admirable. A look at this historic Notting Hill venue's programme for any given season will reveal a cornucopia of poetry, theatre, puppetry, dance, visual arts and multi-disciplionary shows by national and international artists.
I've never seen so many people talk about Emily Brontë and Wuthering Heights. It's been quite mind-blowing - really, very surreal. We talk about the Brontës every day and everyone else is kind of joining in on this conversation, and it is everywhere. So many people are picking up the book for the first time and discovering the Brontës for the first time.
Neville might not dig up any new revelations or eyebrow-raising moments, but it does elevate the voice of McCartney and relates how some naysayers have discounted his post-Beatles work while others—including John Lennon's son, Julian—consider some of his so-called misfires to be ingenious.
Until recently, "liminal spaces" were only known to architects. But on the Internet, storytellers and amateur filmmakers have morphed these ubiquitous places you pass by on errand runs into caverns of cosmic terror. Now, a new A24 film from 20-year-old filmmaker Kane Parsons is set to kick off the summer and christen it the season of liminal horror.
Netflix made a deal to buy the Warner Bros side of the company—its studio and streaming businesses—late last year, but Paramount Skydance has been undeterred, aggressively pursuing what it claims to be a better offer for the entire WBD operation. After several failed attempts at a hostile takeover, WBD is considering a final Paramount offer, to which Netflix will have the opportunity to counter.
The night before we started filming, I was sleeping and, literally, the ghost of Ann Lee was over my bed with angels around and she said: Go forth! Was that my imagination allowing myself to go forth? Maybe, probably. It was so intense that I will never forget it.
A few days after Emerald Fennell's film adaptation of "Wuthering Heights" came out, a friend sent me an Onion headline about a bookseller frantically pulling classics off the shelf before Fennell enters the store. No beloved novel could be safe from the dangers of the director introducing anachronistic costumes, original songs by Charli XCX, selectively color-blind casting, and explicit B.D.S.M. scenes for its Byronic hero.
When I was a kid, I was painting, as a few of my classmates were, because my teacher was a painter. We were making paintings and different things as well - silkscreens for dances or basketball games, mobiles ... It was around 1963, so a lot of different types of artistic endeavours were happening, which played into what he was teaching us. That was kind of where I started.
Videos of these harrowing monologues, prerecorded by actors speaking in French, were projected onto a mysterious opaque box at the center of the performance space, as audience members listened through headphones and read English subtitles. Then venetian blinds shrouding the box slowly rose to reveal glass walls and, inside them, a sinister diorama-a replica of RTLM, or Radio Télévision Libre des Mille Collines, the radio station that fuelled the catastrophe.
Mr. Darcy is its stern romantic lead. He has a massive income from his estate - 10,000 pounds a year - and, according to the novel's witty protagonist, Elizabeth Bennet, just as large of a stick up his ass. Jane Austen was not one to go for lengthy physical descriptions of things, but we do know that when he enters a room, he draws people's attention with a "fine, tall person, handsome features," and a "noble mien."
In his latest, Joachim Trier's Sentimental Value, Skarsgård gifts us with perhaps his most robust and richest work in the form of Gustav, a once-prominent filmmaker struggling to mend fractured ties with his daughters. On this episode, he details the environment Trier created, through love, attention, and enthusiasm, that laid the tracks for that work to travel.
Taken from a widely read novel by Ken Kesey, it is a prime example of how a subject which must have looked destined for the cultural ghetto of the art circuit can be hoist by its bootstraps into the commercial field and festooned with Oscar nominations. You can do this of course only by making compromises by engaging a star with redoubtable box office muscle by jollying your audience along a little before the real crunch comes.
After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director for resurrection. But when she visits the original movie's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.
AMC Entertainment Holdings reported its fourth-quarter 2025 financial results as well as its full-year 2025 results. It's fair to say the company did not have a blockbuster quarter or year. For the company's Q4 2025, which ended on December 31, AMC reported total revenue of $1.28 billion. That's a drop of 1.4% from the $1.3 billion the company reported for the same quarter a year earlier.
When I look back at the things I've done so far, I realized that the through line is characters that go through really transformative arcs. I wanted to make this person almost unrecognizable by the end of the show, because that's really what happens to him. He accesses this real rage that has been living in him his whole life but can now be channeled into something tangible and real and hopefully positive.
